The Angklung got more international attention when Daeng Soetigna, from Bandung, West Java, expanded the angklung notations not only to play traditional pélog or sléndro scales, but also diatonic scale in 1938. Since then, angklung is often played together with other western music instruments in an orchestra. One of the first well-known performances of angklung in an orchestra was during the Bandung Conference in 1955. A few years later, Udjo Ngalagena, a student of Daeng Soetigna, opened his "Saung Angklung" (House of Angklung) in 1966 as centre of its development.
In Bali, an ensemble of angklung is called gamelan angklung (anklung). The instruments are tuned to a 5-tone slendro scale, though actually most ensembles use a four-tone mode of the five-tone scale (an exception would be five-tone angklung from the north of Bali, as researched by Ruby Ornstein in the 1960s.) While the ensemble gets its name from the bamboo shakers, these days most compositions for Gamelan Angklung do not use them. An ensemble of mostly bronze metallophones is used instead.
In Hindu period and Padjajaran kingdom era, Sundanese people used the angklung to sign the time for prayer. Later, Padjajaran kingdom use this instrument as corps music in Bubat War (Perang Bubat).
Angklung functioned as building the peoples community spirit. It was still used by the Sundanese until the colonial era (Dutch East Indies, V.O.C). Because of the colonial times, the Dutch East Indies government tried to forbid people playing the angklung instrument.
Because it was forbidden to play angkung during this time, the popularity of the instrument decreased and it came to be played only by children in this era.
In the early 20th century, the angklung was adopted in Thailand, where it is called angkalung (อังกะลุง). The Thai angklung are typically tuned in the Thai tuning system of seven equidistant steps per octave, and each angklung has three bamboo tubes tuned in three separate octaves rather than two, as is typical in Indonesia.
Angklung had also been adopted by its Austronesian neighbours, inparticularly Malaysia and the Philippines, where they are rather played as part of bamboo xylophone orchestras. They are generally played using a pentatonic scale similar to the Indonesian slendro, although in the Philippines, sets also come in the diatric and minor scales used to perform various Spanish-influenced folk music.
UMBRELLA-RIHANNA (Angklung VErsion)